"All eyes will be on you," says the Austrian duchess, Maria Theresa to her youngest daughter Marie Antoinette. The film, marketed for a teen audience, is an impressionistic retelling of Marie Antoinette's life as a young queen in the opulent and eccentric court at Versailles. The film focuses on Marie Antoinette, as she matures from a teenage bride to a young woman and eventual queen of France.
Claudia Puig Let the audience eat cake rather than indulging in a movie ticket for Marie Antoinette.
With its ho-hum performances, muddled point of view, inert plot and pedestrian writing, all that's left to appreciate are the sumptuous costumes, elaborate hairstyles and rococo production design, which are not enough to sustain any movie, even one set in the gilded splendor of Versailles.
Sofia Coppola's direction focuses on visual style, and sometimes the film delivers. But shaky camera work and frantic cuts are off-putting. It's as if so much work went into the look of the film to camouflage the lack of story.
A look at the decadent reign of the empty-headed - and later...
A tale of young love in the opulent court of Versailles, starring Kirsten Dunst and Jason Schwartzman. Nineteen eighties pop video aesthetics clash with period drama under the direction of Sofia Coppola
Director Sofia Coppola shows enviable courage in excising the French from her story of the life of Marie Antoinette. Sure, we loll around Versailles, and the primped courtiers who gild the frame talk of Paris and have French titles - the Comte De This, Madame De That - but their hearts beat America!
The King and Queen of France are teenagers in love. Under the wigs and etiquette, Jason Schwartzman - playing Louis XVI - and Kirsten Dunst as the Austrian Marie Antoinette -...
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