It's 2035 A.D., where robots are everyday objects and are programmed to live alongside humans. Detective Del Spooner is called out to investigate the apparent suicide of the scientist behind these robots, Dr. Alfred Lanning. Spooner suspects that the death might not be a suicide, but the result of one of the robots. All robots are programmed by three laws, but Spooner starts to wonder if a robot can in fact feel emotions, and possibly murder. But if Spooner's suspicions are true, he is going to have a hard time convincing everyone.
Futuristic thriller starring Will Smith as a troubled cop whose issues with the ever-increasing robot population are seemingly vindicated when one of them becomes a murder suspect. Slick sci-fi from Alex Proyas, director of Dark City
I, Robot is essentially Blade Runner by way of Minority Report with a dash of Attack Of The Clones (but not too much thankfully). However, it transcends the restraints of the formula by virtue of being a good quality blockbuster, which is well-made and relatively smart.
It starts in a mildly depressing manner, with product placements coming thick and fast (JVC, Converse and Audi all have starring roles, plus look out for FedEx!), but...
In I, Robot, a new science fiction potboiler starring Will Smith, androids see and speak no evil. With humans calling the shots, however, they hear plenty. Designed along the articulated lines of wooden artists' mannequins, the robots serve their mortal masters, effortlessly performing tasks that were once the preserve of illegal immigrants and nonunion labor. But there's a kink in this machine world: consciousness. One robot has begun to reason, dream and even doubt. More disturbing, yet another robot, or maybe two, seems to have written a Hollywood script and hijacked a major studio production.
Given the film's assembly-line screenplay and mechanistic storytelling, no other...
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