Harold is a depressed, death-obsessed 20-year-old man/child who spends his free time attending funerals and pretending to commit suicide in front of his mother. At a funeral, Harold befriends Maude, a 79-year-old woman who has a zest for life. She and Harold spend much time together during which she exposes him to the wonders and possibilities of life. After rejecting his mother's three attempts to set him up with a potential wife, and committing fake suicide in front of all of them, Harold announces that he is to be married to Maude. However, Maude has a surprise for Harold that is to change... his life forever.
Harold and Maude
Director Hal Ashby (The Last Detail, Being There, Shampoo) was perhaps the most opaque of the movie brats - never one to take the easy route in his life, career or in his storytelling. Certainly Harold And Maude would be an obtuse choice by most directors' standards. Despite or because of this, many connoisseurs of the era's cinema rank Ashby's film up there with The Graduate and M*A*S*H for its brilliant black humour, absurdist, anti-authoritarian intelligence and counterculture whimsical wit. Harold (Cort) is a hearse-driving 19-year-old introvert rich kid, dominated by his overbearing mother (Pickles) and with a penchant for serial fake suicides. "Tell me...
Harold and Maude
Call it bad taste, but rarely has such a strange love affair been presented so charmingly as the one here between morbid young Harold (Bud Cort) and 79-year-old concentration camp survivor Maude (Ruth Gordon). Depressed by life, and rejected by his wealthy mother (Vivian Pickles), the death-fascinated Harold drives a hearse to funerals, meets the skittish Maude, and falls in love. A cult classic, the film started life as a graduate thesis by Colin Higgins, whose landlady helped him to set it up for direction by Hal Ashby. The performances are a delightful bonus in a movie that, for all its eccentricities, likes people.
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